Posts Tagged ‘Inanimate Objects’

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Inanimate Object of My Affection #2

January 18, 2009

The Roland TB-303.

Roland TB-303

Its tweaked and distorted take on bass has formed the basis for several incredible acid house singles and when mangled by the very best, adds a layer of piercing, wobbling threat to otherwise metronomic dance tracks.

Roland kicked out this bass emulator from 1982-84. Its stated function was to be a bass accompaniment for bedroom guitarists when practicing alone. As such, it was a miserable failure.

This failure led to its success in the late 1980s as the weapon of choice for techno and house producers.  The 303’s unique 3-pole filter and low voltage failure settings allowed aspiring bedroom artists to bypass the presets and tear it a new basshole.

Phuture’s “Acid Tracks,” released in 1987 was the first to make use of the 303’s signature squelchy “wow” sounds.

Hardfloor topped it in 1992 with the release of “Acperience.” The 303 bubbles and churns throughout the track and takes over completely during the middle drop. However, the Hardfloor boys seemed to be more interesting in tweaking the 303 than delivering a dependable 4/4 as the beat slips and slides all over the place. Truly a nightmare to mix in cleanly. 

joshwink1Josh Wink delivered “Higher State” in 1995 as the be-all, end-all thesis on 303-tweaking. The bass distorting percolates and steadily rises to a full boil, culminating in a piercing tone that bears more than a passing resemblance to the Reid brothers shoving their guitars through their amps. Unfortunately Josh would never achieve this peak again, no matter how long the dreads.

The famous/infamous Norman Cook (under the nom de DJ “Fatboy Slim“) delivered the acid house single of a lifetime, “Everybody Needs a 303” in 1996. Featured below is the B-side to “The Rockafellar Skank,” “Tweakers Delight,” a DJ tool featuring only the 303 bass lines from his earlier single. Fun stuff.

Hardfloor – Acperience.mp3

Josh Wink – Higher State.mp3

Fatboy Slim – Tweakers Delight.mp3

All mp3s are only temporarily available. If you like what you hear, please support the artists. If you wish to have a track removed, please contact me at 2timegrime@gmail.com.

-CLT

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Inanimate Object of My Affection

January 16, 2009

Jonny Greenwood’s stuttering bark of guitar distortion before the chorus of Radiohead’s “Creep.”

Rumors have it that Jonny hated the song and was just trying out a little audio sabotage, but rarely has a dynamic shift been so perfectly telegraphed (and I am including the Pixies in this comparison). The guttural punctuation (!…!) sends the signal out clearly: yeah, we’ve been humming and strumming to this point, but we are now ready to deliver our payload of one(1) metric fuckload of guitar.

This come close. The downright hummable verse gets sucker-punched by the drum machine and a left-right combo of feedback and distortion.

A Place to Bury Strangers – Don’t Think Lover

All mp3s are only temporarily available. If you like what you hear, please support the artists. If you wish to have a track removed, please contact me at 2timegrime@gmail.com.

-CLT