Featuring The Loops of Fury, the Chemical Brothers, Kasabian, Renegade Soundwave, the Prodigy and Spiritualized. If you’d like a track removed, contact me at email@example.com.
Learn something new everyday. Giles Turnbill did.
“November 6 – 6. When your son asks “What is electricity?” it’s wise to stop and think for a moment—or consult an encyclopedia—before launching into an answer that may grind to an unfortunate and, for the questioner, unsatisfying halt.”
The actual second coming of the Stone Roses (unlike the Second Coming of the Stone Roses, which was underwhelming, to say the least), Kasabian whip up some mighty fine swaggering dance rock. Concerned that there was perhaps too much “rock” and not enough “dance” in this mixture, Loops of Fury take over on production and crank this up into a bigger, beatier frenzy, triggering looping vocal samples and house-quaking bass in a very close approximation of the Chemical Brothers, from whom they have borrowed their name.
Released very early on in the ChemBros’ career while they were still d/b/a the Dust Brothers, a name that they had, in turn, borrowed from an American production duo who at that point were most famous for producing the Beastie Boys’ classic second album, Paul’s Boutique.
Flattering tribute or not, the original Dust Brothers told the upstarts, “Thanks and all, but we’d like to keep the name,” perhaps fearing these Brits would surpass them, what with Paul’s Boutique not exactly flying off the shelves.
So Tom and Ed relented, becoming the world famous Chemical Brothers, issuing the wryly titled Exit Planet Dust as their debut. The Dust Brothers went on to produce albums for Beck, Santana and craft the Fight Club soundtrack. Sometimes everybody wins.
While we’re still in the general vicinity, let’s discuss the Chemical Brothers’ godawesome remixing skills. This particular remix takes hold of The Prodigy’s hyperkinetic breakbeats, which had more in common with proto-drum n bass than the Chemical Brothers’ own mixture of hip hop breaks and rock attitude, and morph it into a shitstorm of city-levelling bass and beautifully triggered vocal samples.
Listen to that bass. Turn it up enough and you’re no longer hearing it. At top volume it becomes an omniscient force, a godlike pulse that consumes the air around it.
The Chemical Brothers know bass.
So does Renegade Soundwave. One of the pioneers of acid house/breakbeats, Renegade Soundwave entered the scene in late 80s along with Meat Beat Manifesto, taking their musical cues from industrial music and post-punk acts like Killing Joke and converting them for the dance floor.
The Chemical Brothers have specifically cited this track as an influence, stating they wanted their bass to sound as badass as this does. As evidenced above, they nailed it.
I’ll leave you with this: proof that the Brothers can also do unimaginably pretty when not targeting your central nervous system with low-level sub-bass carpet bombing.