The Fancy Plans Guide to Music Genres: Part TwoJuly 9, 2010
In our previous guide we discovered, through the magic of the internet and several broad stereotypes, what various musical genres encompassed. Today it’s more of the same, only with different genre names and stereotypes. The elderly may or may not be abusing Bradypus variegatus. We’ll just have to wait and see. Mainly wait.
So, while the inevitable crawls slowly into view, let’s take a quick, informative look at a few other music genres and their corresponding fans.
Any music not produced in the US, Canada or Western Europe, or by Caucasians in general. (For example: Krautrock – not World Music; Drunken gypsy chants – World Music.)
Despite its origins, World Music is mainly sold to white people (Paul Simon, Peter Gabriel, David Byrne) who then co-opt and repackage their watered-down version and sell it to other white people (Vampire Weekend).
Black Americans may recognize this modus operandi as being nearly identical to the repackaging of black rock and roll into friendly, white packages (Pat Boone, Elvis Presley, Fred Durst). The only difference at this point is that the new white purveyors are viewed as “enlightened” rather than as “thieving pricks.”
Fans: White people. White people who think they’re smarter than other white people. White people who think they’re smarter than all other people, regardless of race, which they don’t even think of the world in terms of, because that’s how damn “enlightened” they are. DJs/producers in search of royalty-free samples.
Drum n Bass
A perverse offshoot of both hip hop and breakbeats in which the bassline and the drums are programmed by separate producers who are not allowed to contact each other at any time. This results in tracks consisting of a bowel-loosening bassline over which a drumbeat skitters along like cockroaches running from a light source.
Often accompanied live by an MC, or “toaster,” whose impromptu rhyming tends to flow along a melody only he can hear and consists mainly of invitations to dance more or show more enthusiasm, but in a broad Caribbean accent. Inexplicably popular.
Fans: People who have grown tired of “danceable” dance music. Drum n Bass producers/DJs. Radiation-proof insects. Reggae lovers with sizable speed habits.
Drill n Bass
Like Drum n Bass, only utilizing a drum programmer with no previous experience or mechanical aptitude. The bowel-loosening sub-bass remains, but the drumbeats now skitter along like roaches running out of a lit meth foiler.
Fans: People who think drum n bass is too “hummable.” Richard D. James fans. Richard D. James. Hardcore techno fans who are tired of keeping score.
One of the most maligned music genres, Goth was conceived during a wild three-way involving punk, art school and eyeliner. Blacker than punk but lighter than black metal, Goth gave misunderstood teens the world over a whole new way to be misunderstood.
Taking Henry Ford’s mantra of “any color as long as it’s black” to their bleeding hearts, Goths let their (black) freak flags fly, drawing the intense mockery of music critics, peers, teachers and parents. This of course makes the whole genre that much more “real,” despite it being 90% heavily-madeup artifice.
Fans: Misunderstood teens. Emo fans who don’t really understand genre boundaries. Mislabeled emo fans. Eyeliner manufacturers. People looking to shock the easily shocked. Anne Rice fans. People who greatly overestimate black’s “slimming” power. Cleopatra Record execs.
Black metal is a “darker than thou” form of metal, usually found in wintry Nordic countries with centuries of organized religion under their belts. It can often be a very demanding genre, in which you really haven’t “made it” as a band until you’ve had to disband the group, thanks to a majority of the members having committed suicide or facing murder charges.
Perhaps the only genre that can be entirely attributed to a Vitamin D deficiency.
Fans: Former metal fans disillusioned by the lack of dead/arrested musicians in regular metal. Un-murdered Nordic youth. That guy you thought was a harmless goth until he celebrated his latest church burning by killing you and having sex with your corpse. Satan.
A Germanic-influenced brand of techno deployed by producers with a shortage of equipment/plugins. Has enjoyed a resurgence in recent years, perhaps as a backlash to the overblown sounds of trance, or more likely, as a result of there being a very high DJ/fan ratio, which leaves few bedroom producers with the steady income needed to purchase more equipment/plugins.
Or maybe it’s just some sort of Germanic thing, (see also: Krautrock.) in which another genre (in this case, techno) is disassembled and reassembled incorrectly, leaving several “extra” pieces, which are discarded in Germany’s quest to remain both misunderstood and brutally inept.
Fans: Techno fans tired of being asked to enjoy multiple sounds simultaneously. Chin-stroking wallflowers who have mistaken “not much going on” with “artistic integrity.” IDM fans who enjoy an occasional 4/4 beat. The staff at Pitchfork, which is mostly comprised of chin-stroking wallflowers who have mistaken “not much going on” for “artistic integrity.” Painters who believe the real action is the drying time. Satan.
Stay tuned for Part Three, which will explore Folk, Rap Metal, IDM and hopefully, many others.
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