Heavy Rotation Vol. 28

December 20, 2009

Well, it’s that time of year. Only x number of days left until Xmas. (x=not enough)

As an alternative to my usual rambling introduction, I’d like to instead highlight my blog partner, RF Interference. While he may not be able to squeeze in a post edgewise, he did outdo pretty much everything I’ve done this year with this:

Thanks to RF, I am now the proud owner of an autographed copy of FIRE ICE: A Kurt Austin Adventure by none other than CLIVE FUCKING CUSSLER. How awesome is that.

Let me just give you a small excerpt of Mssr. Cussler’s prowess:

“Sandecker flashed a barracuda smile, but an icy coldness crept into his authoritative blue eyes as he prepared to rip Tingley to shreds.”

The man has never met an adjective he didn’t like.

Thanks for that, RF. Truly an awesome gift.

On to the music.

Previous versions here:
The Heavy Rotation Archives

Kraftwerk – Ohm Sweet Ohm
Last time Kraftwerk made an appearance in the Heavy Rotation, they were using banks of vintage electronics to crank out Black Sabbath-esque heavy metal. This time around they’re wringing raw emotion from their collections of wires and chips.

Much like Trans-Europe Express, Ohm Sweet Ohm works as a travelling analogue. The pace starts slow, as if moving tentatively but picks up the pace as it nears its destination. It calls to mind someone making a long journey back to someone they love, having been away far too long. The first moments are almost hopeless, as though the distance is too far and will never be reached, but as the trip continues and the destination nears, the pace and elation increase, anticipating the reunion.

Magnetic Fields – Yeah Oh Yeah
Well, I don’t mean to go so dark so fast, but don’t let Stephen Merritt’s perma-funk scare you away. As the mind behind the Magnetic Fields, Merritt has cranked out hundreds of darkly funny/tragic love songs. Well, love is often the key, but it’s usually unrequited or completely gone.

This ode to the creeping hate of a long-dead relationship comes soaked in reverb and features a duet/duel from the two protagonists. You know, just for a little added heartbreak. Has a bit of a Galaxie 500 feel to it, all airy vocals and lightly strummed (and lightly distorted).

I’ve enjoyed making you
miserable for years
found peace of mind in
playing on your fears
How I loved to catch your gold
and silver tears, but now my dear
What a dark and dreary life
Are you reaching for a knife?
Could you really kill your wife?
Yeah Oh, yeah
Of, I die, I die, I die!
So it’s over, you and I
Was my whole life just a lie?
Yeah Oh, yeah

Imperial Teen – Copafeelia
God help me, I loves me some Imperial Teen. All power-pop-punk with Ginsu-sharp lyrics and hummable melodies. From their debut album Seasick, Copafeelia is yet another acidic kiss-off to some fool who spends too much time “cutting out their paper friends.”

This will get stuck in your head and hold on for the drop to bass and drum about 3/4’s thru, which will makes you wonder why more bands don’t do that sort of thing all the time. (It worked wonders for the Charlatans UK’s biggest hit The Only One I Know…)

carbonated palm couture
drunken hands will kill your pimp
and make you whore du jour
you’re worth more dead than alive
I don’t want to die here
I don’t want to die

Marilyn Manson – This Is The New Shit (Goldfrapp Mix)
At first, this sounds like any other Manson track, all drums and distorted vocals. But listen closely. Alison Goldfrapp (the britchesless beauty from a couple of weeks ago) joins in, layering her breathy, sex-on-wheels voice over his, occasionally taking the lead. Her contribution adds a much-needed contrast to Mr. Manson’s overwrought shouting.

But what makes this essential? Wait for it. At about 3:20 in, be prepared to hold on to your fucking preconceived notions. Goldfrapp takes over and drags Manson’s dope rock back into a smoky 1930’s nightclub and begins channeling Marlene Dietrich. If you ain’t heard someone seductively croon “Are you motherfuckers ready?” then you just ain’t lived yet.

Meterhead – Let It Go
Speaking of time warps, here’s Meterhead with a dancefloor killer that drags Def Leppard’s pop-metal into the new millenium, taking everything good about them (chanty, slogan-esque vocals, compressed guitar) and chopping the hell out of it.

This much fun should be illegal (and due to stupid copyright laws, it probably is). If there was any justice in the world, this track would be required to soundtrack any movie club scenes for the next 3-5 years. I can totally see Blade chopping up vampires to this.

All mp3s in one easy-to-access NUMA file:
Heavy Rotation 28
(link opens in new window)


[All music posted on Fancy Plans… is kick ass and too awesome to be contained. All music is also posted temporarily and, due to its high level of ass-kicking, should not be distributed without a prescription and care should be taken while operating heavy equipment or dancing around the living room (clothing optional, but do remember that the blinds are open/kids are still awake).
Should you wish to have your brilliant artistic statement forced back into confinement, please email me at 2timegrime@gmail.com. Feel free to leave a comment, as that will probably be noticed sooner.
By all means, if you like what you hear (and you will), please support the totally rocking artist(s) by purchasing some music or heading out to see them live.]


  1. Thanks for broadening my musical knowledge, CLT. I’m still shopping Johnny Cash and Dean Martin albums, but you’re opening some doors of perception for me, and I appreciate it. I do like Manson’s cover of “Sweet Dreams”. He pushes the envelope.

    • Dan,

      You can never go wrong with Cash or Dean. But if you think you might be, stop by here first.

      Thanks for the visit, Dan. Great to see you again.

  2. Nice score with the autographed Clive F. Cussler book.

    A few years ago I received a signed copy of Blood Meridian. Of course, that was before Oprah legitimized Mr. McCarthy’s.

    I occasionally show the book off guests and have yet to impress anyone. I take that to mean a) I am easily impressed, b) my houseguests are philistines, or c) both.

    Thanks for the music, CLT. You keep me hip.

    • RE: McCarthy

      Color me easily impressed, unlike those philistines you hang out with. That man’s a living legend. And I’m basing that on one book.

      No sweat on the music. I’m trying to keep myself hip as well, and figured I’d share the wealth.

  3. Lucky bastard.

    And here I thought my friend was the kickassiest for getting me a “Snuggie”.

    Great tunes, CLT. I’m especially partial to the MM/Goldfrapp and Meterhead tunes.

    Nice change of pace from the latest Taylor Swift track I’ve been rocking out to…

    • Snuggies are adorable but they have killed more people than they have saved. It usually happens late at night when they become sentient.

      Thanks for rocking out to something else than Taylor “she’s no Beyonce” Swift. You’ve done both Kanye and me a big favor.

  4. Great stuff CLT, all good iPod stocking stuffers.

    • As we say here, “Put that in your stocking and stuff it.”

      Thanks for listening, FJ.

  5. I left a comment here once, didn’t I???

    • Probably. After 28 posts of the same sort of music, they all kind of run together…

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