The Stabbing Knife Vol. 2 – Garth BrooksOctober 17, 2009
Garth Brooks is back. Ending eight years of self-imposed retirement to start an open-ended run of shows at the Wynn in Las Vegas, Brooks has dusted off his hat, boots and false sense of entitlement.
Picking up where he left off in 1993, Garth is moaning about how he’s getting fucked by all his freeloading fans. Granted, he does mention other “artists” (of course, none by name) and breaks out his gold-plated hanky for a good old bitchfest.
“Our government’s not doing anything about piracy. Until we can hear what a day of radio is like with no music, until this place sits silent because the music creators and the artists and copyright (holders) are not happy because they’re not being protected like everyone else is, then, yeah, I would like that power myself.”
First of all, what the fucking fuck? The government’s not doing anything about piracy? Where in the hell did he get that idea? Did he spend the last 8 years living in a tin-foil coated basement somewhere in Montana?
The government is spending a great deal of time bedding down with ASCAP and the RIAA to make sure that copyright protection continues its steady march to perpetuity. Just last week the House Judiciary Committee approved the hilariously named “Performance Rights Act” which will ensure that radio stations get to pay even more for the privilege of advertising the major labels’ artists.
On top of that ASCAP and BMI are pushing their respective legislators to increase the performance royalty fees that radio stations already pay.
So first the RIAA tags the stations for playing the sound recording and then ASCAP reams them again for royalties due to the musicians playing on the recording. A nice double-dip with all the subtlety of a revolving-door gangbang.
So, obviously Brooks is ill-informed or just genuinely stupid. Let’s flashback to his original enemy: used CDs.
Garth used his considerable weight to blackmail Capitol into blocking shipments of his latest album to stores that sold used CDs. This came back to bite him right in his label’s ass thanks to some anti-trust activity. Despite his best efforts to piss everyone off, In Pieces went on to sell 10 million copies in the U.S. alone.
Not content to rest on his huge piles of money, Garth continued to bitch and moan about his hard knock life until he was tossed under the wheels of pop culture with his ridiculous Chris Gaines “concept album,” which touted the soul-patched pop-country pre=”pop-country “>chubster as a “conflicted artist” who was all angsted-up by life in the public eye.
So what is Garth Brooks’ problem?
Tough to say. According to the RIAA, he’s the best-selling solo artist of all time.
“Brooks has sold more than 128 million albums in the U.S., according to the Recoding Industry Assn. of America, second only to the Beatles’ 170 million albums. Brooks has outsold the Fab Four — more than 68 million to the Beatles’ 58 million — in the 18 years since Nielsen SoundScan began monitoring retail sales in 1991, two years after Brooks released his first single.”
Couple that with his lucrative concert tours and the man has to have more money than Oprah Winfrey (or possibly U2).
So why can’t he shut the fuck up and enjoy his success?
Garth appears to be one of those (highly-stabbable) “sore winners” whose life revolves around concerns that his boatloads of millions may be leaking nickels and dimes somewhere. Apparently all the time off allowed him to mellow into a fat, bitter shit who wants everyone to pay for everything, like they used to in the good old days before people could decide what they wanted to do with their purchased property (CDs) or had any choice in how they got their music delivered (single-song mp3 downloads or *gasp* piracy).
Check out his “I showed them” take on his meeting with iTunes:
“Sweet guys. They’ve allowed me to come into their building several times and pretty much tell them how much I didn’t like the system. They listen. But iTunes won’t do what (it) needs to until (musicians) find a way to join together, and show them what an iPod sounds like with no music. … They truly think that they’re saving music. I looked at them right across the table with all the love in the world and told them they were killing it. Until we get variable pricing, until we get album-only (downloads), then they are not a true retailer for my stuff, and you won’t see my stuff on there.”
I cannot fathom how this must sound to him when it comes out of his mouth. I’m sure he feels he’s coming down from Mt. Sinai with the tablets but to anyone else who has actually seen how the real world (and music industry) work now, it must sound like the disjointed ravings of bitter retiree who’s sure the world would be better if we could just go back to the good old days of poodle skirts, lead paint, asbestos and the labels raping you out of $17.99 for a couple of good tracks and 50 minutes of filler.
“Album-only downloads?” I’m sure Garth is invested heavily in Time Machines of America if he thinks he can get a majority of Americans to welcome his “Buy One, Buy ‘Em All” plan. That shit went out with Discmans and Fen-phen.
But he’s not through yet. Garth’s mouth has unlimited foot space (possibly due to elective surgery). Here’s his contradictory and pure evil plan for getting back what’s his:
“I’d love to see us get it together, and that’s one of the things for the next five years is to try and figure out how. Athletics has it — anti-trust. That’s the only way these guys get the attention of the leagues they work for. Until we can unionize, until we can bond together, we have no power.”
Pause for breath and some oxygen to the brain. He likes anti-trust but wants to unionize into one group that would oversee the entire record industry, presumably with the power to set prices regardless of market demand and constrict delivery methods. Sounds like a monopoly to me.
Back to King Garth, RIAA mouthpiece and jackass supreme:
“I want us to be able to come together and represent as a whole to tell the nation. … It has to be placed in the right hands, so it can’t be one person, but a board that represents music, its creators and its content owners. I think that’d be more than fair to stand up and say, ‘Look, you’ve ignored us, because there’s 50,000 of us and 300 million voters. You’ve ignored us, and now to show you, we would like to just simply stop for a day,’ and see how dry this world gets.”
Garth is no longer just interested in the music-buying public. He now wants 300 million voters to take it in the ass because starving artists like himself are outnumbered and outgunned by Joe Public and his considerable lobbying power.
Hey, public. Meet dictator-for-life Garth Brooks. He’d like to welcome you with a hearty “fuck you” in appreciation for your purchase of 128 million albums during the course of his career.
There is a silver lining to this colossal bullshitstorm: Garth is offering to swing his massive, platinum-encrusted weight around until he gets his way, even if that means pulling all major label music off the radio for an entire day, just to show us stupid “little people” what’s the motherfucking what.
I say let him.
I haven’t listened to the radio in years and there are millions of hours of independent music just dying to fill the void. It would be better for the radio stations, the indie artists and the world in general.
So please please please. Pull that shit off the air. Teach us a lesson, Garth, you spoiled 47-year-old brat. Smack us around with your superiority. Kick us right in our deserving asses with your size 3 jack-boots of cowboy justice (+1). Show your loyal customers that you made them, not the other way around.
Or better yet, SHUT THE FUCK UP.
Go home and count your money, you fat bastard. Pile it all into huge stacks, knock ‘em over and start again. Go wander your mansion or take one of your several cars (or horses… whatever) out for a spin. Go get a botched tonsillectomy and a good case of tetanus. Whatever shuts you up.
Go Roberto. Get him. Fuck you, Garth.
Joe Fucking Public
300 Million Strong